Pancham Vadi Aru Rikhab Samvadi Sanjog
Soratkehi Surnatey Des Kahat Hain Log
Raagchandrikasaar
Raag Des ke aroh mein shudh aur avroh mein Komal Nishad ka prayog hota hai. Yeh chanchal prakriti ka raag hai aur isska vistaar adhiktar madhya va taar saptak mein kiya jaata hai. Isske avroh mein Rishabh ka vakra prayog hota hai jais Ma Ga Re Ga Ṇi Sa
English - In Raag Des, Shuddh Nishad is used in the Aroh (ascending scale) and Komal Nishad is used in the Avroh (descending scale). 🎶
This is a playful and lively (chanchal) raga, and its expansion is mainly performed in the middle (Madhya) and upper (Taar) octaves.
In the Avroh, Rishabh (Re) is used in a vakra (zig-zag) manner, for example:
Ma Ga Re Ga Ṇi Sa
Raag Des is also searched as 'Raag Desh'
Thaat
Khamaj
Vaadi
Re
Samvaadi
Pa
Time
10:00 PM to 01:00 AM (Raat ka 2nd Prahar)
Ṇi Sa Re Ma Pa Ni Ṡa
Ṡa Ni Dha Pa, Dha Ma Ga Re, Ga – Ṇi Sa
Ma Pa Dha – Ma Ga Re, Ga – Ṇi Sa
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| MaGa | Re | Ma | Pa | - | Ni | Ṡa | Ni |
Ṡa | - | NiṠa | Ṙe | Ṡa | Ni | Dha | Pa | Ni | Dha | Pa | Dha | Ma | Ga | Re | Ma |
Ga | Re | Ṇi | Sa | Re | Ma | Ga | Re | Ma | Pa | Ni | Dha | Pa | Ma | Pa | Ni |
Ṡa | ṘeṘe | ṠaNi | DhaPa | MaGa | ReMa | GaRe | GaSa |
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Antara | |||||||||||||||
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| Ma | Ma | Pa | Pa | Ni | Ni | Ṡa | Ṡa |
Pa | Ni | Ṡa | Ṙe | Ṡa | Ni | Dha | Pa | Ni | Dha | Pa | Dha | Ma | Ga | Re | Ga |
Ṇi | Sa | Re | Ma | Ga | Re | Ma | Pa | Ma | Pa | Ni | Ṡa | M̍aĠ̇a | ṘeĠ̇a | ṠaNi | ṠaṘe |
ṠaṆi | DhaPa | MaPa | ṆiDha | Padha | MaGa | ReGa | SaS |
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Badar Re Umad Ghumad Barsan
Lage Bijuri Chamke Mora Jiya Darat
Nis Andhiari Kari Garjat
Pawan Chalat Purwai
Aise Samay Sikandar Piya Kahe Rooth Gaye
Paiya Padu Sakhi Jao Lao Manaye
Sthayi | |||||||||||||||
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| Sa | Re | Ma | Pa |
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| Ba | S | da | r |
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Ni | Ṡa | Pa | Ni | ṠaNi | Ṙe | Ṡa | Ni | Dha | Pa | Ma | GaRe | Sa | Re | Ma | Pa |
Re | S | U | ma | d S | Ghu | ma | d S | Ba | ra | sa | n S | Ba | S | da | r |
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Ni | Ṡa | Pa | Ni | ṠaNi | Ṙe | Ṡa | Ni | Dha | Pa | Pa | Dha | Ma | Ga | Re | Ni |
Re | S | U | ma | d S | Ghu | ma | d S | Ba | ra | sa | n | La | ge | Bi | ju |
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Dha | Ni | Dha | Pa | Ṡa | Ni | Dha | Pa | Dha | Ma | Ga | Re |
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ri | Cha | ma | k | Mo | ra | Ji | ya | Da | ra | S | t |
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Antara | |||||||||||||||
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| Ma | Ma | Pa | Pa |
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| Ni | Sa | Aan | dhi |
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Ni | Ni | Ni | Ni | Ṡa | Ni | Ṡa | Ṡa | Pa | NiDha | PaMa | Pa | Ni | Ṡa | Ni | Ṡa |
ya | ri | Ka | ri | Ga | ra | ja | t | Pa | vaS | naS | Cha | la | ta | Pu | r |
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Ṙe | Ni | Dha | Pa | Pa | Ṙe | Ṙe | - | Ṙe | Ṙe | Ṙe | ĠaṘe | ṠaNi | Ni | Ni | Ni |
va | S | e | S | Aa | S | Se | S | Sa | ma | y | Si | kan | S | da | r |
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Ṡa | Ni | Ṡa | Ṡa | Ṙe | Ni | Dha | Pa | Ma | MaGa | ReGa | Re | Re | Ni | Dha | Ni |
Pi | ya | Ka | he | Ru | S | tha | Ga | ye | SS | SS | S | Pai | ya | Pa | du |
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Dha | Pa | Ṡa | Ni | Dha | Pa | - | Dha | Ma | -Ga | ReGa | Re |
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Sa | khi | Ja | o | La | o | S | Ma | na | SS | SS | ye |
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Sthayi Ki Taane
(+) 1. SaRe GaM̍a DhaM̍a DhaNi ṠaNi DhaPa M̍aGa ReSa
(+) 2. PaM̍a GaRe SaṆi DḥaṆi SaRe GaRe SaRe GaS
(+) 3. SaṆi DḥaS DhaPa M̍aGa ṠaNi DhaPa M̍aGa ReSa
(+) 4. SaRe GaM̍a DhaNi ṠaṘe ĠaṘe ṠaNi DhaPa M̍aGa
ReGa M̍aDha NiṠa ṘeĠa ṘeSa NiDha PaM̍a GaM̍a
DhaNi ṠaṘe ĠaM̍a ĠaṘe ṠaNi DhaPa M̍aGa ReSa
Aantare Ki Taane
(+) 1. GaRe M̍aGa DhaPa M̍aGa M̍aDha NiDha M̍aDha ṠaS
(+) 2. DhaPa M̍aGa NiDha PaM̍a GaM̍a DhaNi M̍aDha ṠaS
(+) 3. NiNi DhaNi NiDha PaM̍a GaM̍a DhaNi M̍aDha ṠaS
(+)4. PaM̍a GaM̍a DhaNi ṠaṘe ĠaṘe ṠaNi DhaNi DhaṠa